Now we’ve learned why we should write a compelling opening chapter, my best way of beginning a compelling opening chapter, and what should be told and shown in the compelling opening chapter. Today, let’s learn the Dos and Don’ts of Writing a Compelling Opening Chapter.
All too often, writers have great content, but fail to perfect their craft, by putting a load of trash in the opening chapter. This is a sign to editors that you can write well, but you need to write tighter. How? Today we’ll look into that.
First, let’s imagine that you are an editor for a moment. A typical over-loaded, irritable editor. Two manuscripts have reached to you, along with many others. Somehow, you read these two first. You start reading the opening chapter of the first manuscript. Ten minutes later, you put it down with a cold rejection letter for the writer. Why? Because you weren’t impressed by the story. And that was because of various matters…
… such as the following things.
OK, point no. 4 and 5 are just personal preference, and sometimes luck has its hand. But point no.1, 2 and 3 a writer must perfect. Let’s assume that you, the editor, decided to read the opening of the second manuscript as well just to get it done.
You begin reading. … You are still reading. … Still! … “Something’s odd here. This is good.”
It’s not as if talent is at hand here – famous authors have confessed that they think their first drafts are rubbish. Any writer has good content. What is rare is real perfect craft. That’s the thing which distinguishes the ‘aspiring writers’ and those who have their book on the shelves. Craft. The most important word in the glossary of Getting Published.
Here’s why you thought the opening of the second manuscript was good:
In short, these are the do’s of writing compelling opening chapters. The don’ts are given above. But before you think this is the end and just I’m showing you what to do, wait. I’ll show how it’s done. In other words, elaborate.
Well-written does not mean trying to write like dead people. It does not mean trying to emulate their flowery writing style or attempting to sound like a Grammar Major. Mostly, what it means is: write clear, short sentences. Write professionally. Write strong verbs and as few adjectives as possible. Use easy-to-understand words. Do not become a Fancy Nancy.
A great writer’s voice is not one who emulates any other writer’s voice, but one which cannot be emulated. ~ Unknown
What works for one writer, may not work for the other. So I can’t tell you how to write characters which are full of life and plot which is stunning. Take your time – do your research – and rely sometimes on luck. Who knows, so
metimes you can succeed accidentally. 😉
Read my earlier post on the Best Way to Write a Compelling Opening Chapter, and then decide which method works best for you. Try and experiment.
Your task for today: Focus on cutting your adjectives. Yes, it will be painful. You love them. That’s okay; I do too. But they come in the way of telling a story. Fewer works best.
1. Which dos and don’ts do you have in writing a compelling chapter?
2. Felt something which I wrote was wrong? Feel free to comment below!
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This post is a part of a series on “Writing Compelling Opening Chapters.” Click here for the series index.
This is a guest article by Indiana Lee. If you want to submit a guest…
This is a guest article by Indiana Lee. If you want to submit a guest…
This is a guest article by Indiana Lee. If you want to submit a guest…
This is a guest article by Indiana Lee. If you want to submit a guest…
This is a guest article by Indiana Lee. If you want to submit a guest…
This is a guest article by Indiana Lee. If you want to submit a guest…
View Comments
I'm kind of confused on how to use fewer adjectives. I may be dumb cause I find it darn near impossible.
First off, I must say that I have taken away lots of helpful information from the tips and guidance written within these posts, and others like it.
Great job and bravo for putting it out there for the expessively challenged people such as my self.
As a new writer, searching for good tips and directions to achieve a self respectable written piece, I keep finding similar errors/oversights within them from multiple sources.
Below is my unprofessional rant.
I may not have liked English classes in school, or write with absolute authority, but starting out on the creative writing portion of my life, it is annoying to read "his/her" instead of keeping it neutral, like "they" or "them". This is prevalent when referring to the reader. There are so many times that it is largely assumed that the reader is male, and the main character is male. Even though I am male, it is annoying, to say the least, when the writer try's to correct this in the middle of the article.
I am not saying that this is done here, or much at all, but it would be nice to see/read that the author was conscious of this from the start, or at least was able to notice it when they re-read over the finished piece.
By not doing so it is showing the reader that you are not editing your own piece and could care less about offending the female portion of readers and other writers.
Aside from the "his/her" referencing, there is the dis-conjoined/deprecated sentence structure. You see this when the writing/editing was done in a rush. IE: From this post, "Who knows, so
metimes you can succeed accidentally."
Hopefully what I have written is taken with a gran of salt, and reiterated to others, as a means of constructive criticism to help correct common place oversights within writing.
So please respond and share as you see/read fit for writers everywhere.
I'm not trying to be a jerk, but when someone complains about lack of editing and has a ton of spelling and/or grammar errors throughout a multiple paragraphed rant, I tend to roll my eyes.